The self titled full length debut from
The band’s name originates from White Noise, a novel by Don DeLillo that explores the effect of a poisonous cloud’s social and personal implications on the individual. The description of the cloud served as the bands name and as a mirror to the myriad of life changes that influenced singer guitarist Mikel Jollett’s choice to change his vocation from novelist to song writer.
Undeniably the strength of The Airborne Toxic Event is being musically articulate. The songs are well made and smart with out being apparent and obvious. The production work by Pete Min is air tight. Daren Taylor’s popcorn drum work and Noah Harmon’s bass lines are classic with out being cliché. Anna Bulbrook’s viola and keyboards are never out of place, being used incidentally on “This is Nowhere” and also providing depth on the heart felt single “Sometime Around Midnight.” Stephen Chen’s lead guitar playing is subtle and bright, which contrast well with Jollett’s jangly rhythm work. Arguably, the raspy vocal range of Jollett may come off as limited but has an honest storyteller’s point of view that is authentic and committed.
The album moves at such a raucous pace it feels like it ends shortly after it begins. The Violent Femme-like “Papillion” is a snappy and messy ditty of self-loathing. While the nostalgic “Gasoline” and “Missy” recall the most melodic jauntiness of Mike Ness’ solo work.
If they can out live the inaccurate labeling from the media; like “the American answer to The Killers or Snow Patrol,” and stay on target in producing appealing, cross-over pop rock The Airborne Toxic Event have the tools to grow into an institution.
Aaron Simms
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